Easel Incorporated Costume Accessories

This copy of an 1883 hat was made from a magazine illustration.
This copy of an 1883 hat was made from a magazine illustration.
The illustration came from the July edition of La Modiste Universelle, a french publication.
The illustration came from the July edition of La Modiste Universelle, a french publication.
The hat was re-blocked using an old Smokie The Bear hat!
The hat was re-blocked using an old Smokie The Bear hat!
The underside of the wired brim was covered with silk shot velvet.
The underside of the wired brim was covered with silk shot velvet.
The "wings" were fashioned from two types of feather pads utilizing rooster, pheasant and peacock feathers.
The "wings" were fashioned from two types of feather pads utilizing rooster, pheasant and peacock feathers.
A hat band was made from bias strips of two different green silk velvets.
A hat band was made from bias strips of two different green silk velvets.
The very stiff felt brim was cut in three places and sewn back together to create the turn up.
The very stiff felt brim was cut in three places and sewn back together to create the turn up.
The two-tome effect of the brim velvet can be seen in this view.
The two-tome effect of the brim velvet can be seen in this view.
A good view of the velvet decoration in the front made from green ribbon and a scrap of the two toned velvet.
A good view of the velvet decoration in the front made from green ribbon and a scrap of the two toned velvet.
Close up of the feather detail, plus a glimpse of the velvet trim in the front.
Close up of the feather detail, plus a glimpse of the velvet trim in the front.
This hat has a very tall crown - 6 1/2", but that is balanced by the 2 1/2" brim.
This hat has a very tall crown - 6 1/2", but that is balanced by the 2 1/2" brim.
The underside of the brim has been lined with two-toned velvet cut on the bias.
The underside of the brim has been lined with two-toned velvet cut on the bias.
To make this 1885 style a buckram frame was covered with navy blue melton, which resembles felt.
To make this 1885 style a buckram frame was covered with navy blue melton, which resembles felt.
The gathered edge of the brim and the hatband are made of teal green crushed velvet.
The gathered edge of the brim and the hatband are made of teal green crushed velvet.
Layered decorations consist of a moss-green feather pad, an emerald green feather pad, and some blue rooster tail feathers.
Layered decorations consist of a moss-green feather pad, an emerald green feather pad, and some blue rooster tail feathers.
Detail of the back of the hat, you can see the crushed velvet well in this photo.
Detail of the back of the hat, you can see the crushed velvet well in this photo.
Detail of the feather decorations.
Detail of the feather decorations.
Grey tweed topper made in 2008.  This buckram crown was made on the bias, and the brim edge has two sets of wires creating the curled edge.
Grey tweed topper made in 2008. This buckram crown was made on the bias, and the brim edge has two sets of wires creating the curled edge.
Band is of ribbed picot-edged taffeta ribbon, trimmed with loops of the same ribbon and curled black ostrich feathers.
Band is of ribbed picot-edged taffeta ribbon, trimmed with loops of the same ribbon and curled black ostrich feathers.
Silver hat pin with jet beads The picot-edged ribbon for the band came from Argentina!
Silver hat pin with jet beads The picot-edged ribbon for the band came from Argentina!
The crown's shape is of a truncated cone, and the brim is curled up on one side.
The crown's shape is of a truncated cone, and the brim is curled up on one side.
Created for the character of Arabella on the TV show Hell On Wheels, this felt hat is an example of the Flowerpot style very popular in 1884.
Created for the character of Arabella on the TV show Hell On Wheels, this felt hat is an example of the Flowerpot style very popular in 1884.
The hat was blocked over an upturned galvanized bucket.  The brim was wired and covered with velvet bias, the band is piped bias striped silk.
The hat was blocked over an upturned galvanized bucket. The brim was wired and covered with velvet bias, the band is piped bias striped silk.
Black picot edged ribbon loops form the back.
Black picot edged ribbon loops form the back.
Black and brown ostrich feathers also trim this hat.
Black and brown ostrich feathers also trim this hat.
Here is the drawing from Harpers Bazar that was the inspiration for this reproduction.
Here is the drawing from Harpers Bazar that was the inspiration for this reproduction.
In 2016 this felt flowerpot hat was made for the last episode of Hell On Wheels.  The block used was inherited from my Oma; also a milliner.
In 2016 this felt flowerpot hat was made for the last episode of Hell On Wheels. The block used was inherited from my Oma; also a milliner.
The brim was wired and covered with grosgrain, then turned up in the back and down in the front.
The brim was wired and covered with grosgrain, then turned up in the back and down in the front.
A very wide grey petersham ribbon forms the hat band.
A very wide grey petersham ribbon forms the hat band.
The tall feathers are pheasant tails, and there is also a feather pad of speckled feathers.
The tall feathers are pheasant tails, and there is also a feather pad of speckled feathers.
Black silk taffeta and plaid ribbons were combined to create loops.  The inside of the loops were also trimmed with the plaid ribbon.
Black silk taffeta and plaid ribbons were combined to create loops. The inside of the loops were also trimmed with the plaid ribbon.
Detail of the pheasant tail feathers.
Detail of the pheasant tail feathers.
Detail of the speckled feather pad.
Detail of the speckled feather pad.
Tall-crowned hat of grey felt trimmed with gold velvet, black lace, and feathers
Tall-crowned hat of grey felt trimmed with gold velvet, black lace, and feathers
The crown is almost 7" tall!
The crown is almost 7" tall!
The black lace is hand-stitched all around the base of the crown.
The black lace is hand-stitched all around the base of the crown.
The brim has been edged with Petersham ribbon to hide a wire.
The brim has been edged with Petersham ribbon to hide a wire.
The brim is turned up in the back to keep it from interfering with the hairstyle.  It stays in place with the help of the wire.
The brim is turned up in the back to keep it from interfering with the hairstyle. It stays in place with the help of the wire.
The gold velvet was sewn on in loose folds before the lace was stitched down.
The gold velvet was sewn on in loose folds before the lace was stitched down.
The velvet has some dimension to show off it's texture.
The velvet has some dimension to show off it's texture.
The left side is relatively unadorned.
The left side is relatively unadorned.
Detailed view of the feathers at the front of the hat.
Detailed view of the feathers at the front of the hat.
Detailed view of the lace with velvet underneath.
Detailed view of the lace with velvet underneath.
View of the velvet and lace decoration.
View of the velvet and lace decoration.
Detail of ostrich and cocque feathers anchored with lace motif.
Detail of ostrich and cocque feathers anchored with lace motif.
The inside of the crown was lined to disguise all the stitches from sewing on the lace!
The inside of the crown was lined to disguise all the stitches from sewing on the lace!
Overall view of the hat.
Overall view of the hat.
This black felt hat was made for the last episode of Hell On Wheels in 2016.
This black felt hat was made for the last episode of Hell On Wheels in 2016.
Here is the drawing from Harpers Bazar that influenced this felt hat.
Here is the drawing from Harpers Bazar that influenced this felt hat.
The felt was blocked on a wooden block inherited from my grandmother.
The felt was blocked on a wooden block inherited from my grandmother.
The turned up brim was wired and covered with black petersham ribbon.  Warm grey velvet ribbon and metal decorations form the hat band.
The turned up brim was wired and covered with black petersham ribbon. Warm grey velvet ribbon and metal decorations form the hat band.
Detailed view of the metal decorations.  They started out as silver, but were dulled with gun-blue to blend in better.
Detailed view of the metal decorations. They started out as silver, but were dulled with gun-blue to blend in better.
The back view shows the width of the velvet ribbon.
The back view shows the width of the velvet ribbon.
Double loops were made from a wide striped taffeta ribbon.  This ribbon was wired, helping the loops stay erect.  The loops were joined with a half-width band of velvet ribbon.
Double loops were made from a wide striped taffeta ribbon. This ribbon was wired, helping the loops stay erect. The loops were joined with a half-width band of velvet ribbon.
Overall view of this black felt hat.
Overall view of this black felt hat.
This black felt hat was made for the TV series Gilded Age.
This black felt hat was made for the TV series Gilded Age.
The felt was blocked into a flat-crown shape, with a slightly swooped brim.
The felt was blocked into a flat-crown shape, with a slightly swooped brim.
The side band of the crown was covered with a wide bias of grey taffeta.
The side band of the crown was covered with a wide bias of grey taffeta.
The grey taffeta was informally pleated to add texture.
The grey taffeta was informally pleated to add texture.
View of the back of the hat.
View of the back of the hat.
Right side of the hat.
Right side of the hat.
The front was trimmed with a moiré taffeta ribbon bow, metal decoration, and grey ostrich and silver rooster feathers.
The front was trimmed with a moiré taffeta ribbon bow, metal decoration, and grey ostrich and silver rooster feathers.
Detailed view of the moiré taffeta bow and metal trim at the front of the hat.
Detailed view of the moiré taffeta bow and metal trim at the front of the hat.
Detail of the feathers.  The silver rooster tail feathers add a luxe touch.
Detail of the feathers. The silver rooster tail feathers add a luxe touch.
Another view of the feathers at the front.
Another view of the feathers at the front.
The inside has a petersham ribbon band to keep the felt clean and keep the size and shape stable.
The inside has a petersham ribbon band to keep the felt clean and keep the size and shape stable.
Another hat made for The Gilded Age, this one is brown felt.
Another hat made for The Gilded Age, this one is brown felt.
Styled from an illustration circa 1883, this hat was also blocked with a flat-topped crown of moderate height.
Styled from an illustration circa 1883, this hat was also blocked with a flat-topped crown of moderate height.
The brim is turned up all around and the edge was wired then bound with a vintage satin fabric.
The brim is turned up all around and the edge was wired then bound with a vintage satin fabric.
Horsehair tabs and an elastic for securing the hat to the hair were stitched in before the petersham ribbon was attached.
Horsehair tabs and an elastic for securing the hat to the hair were stitched in before the petersham ribbon was attached.
An outer band of bias-cut velvet in brown was ruched and placed to cover only haft of the crown height.
An outer band of bias-cut velvet in brown was ruched and placed to cover only haft of the crown height.
The front has a three-loop bow of wired taffeta in brown.
The front has a three-loop bow of wired taffeta in brown.
A small speckled imitation bird perches just off-centre at the front.
A small speckled imitation bird perches just off-centre at the front.
The bird's tail was augmented with additional feathers; rooster tails and hand-dyed ostrich.
The bird's tail was augmented with additional feathers; rooster tails and hand-dyed ostrich.
Closer view of the bird and it's tail.
Closer view of the bird and it's tail.
Detailed view of front left side of the hat.
Detailed view of front left side of the hat.
View of the inside.
View of the inside.

1880's Cloth and Felt Hats

At the beginning of the 1880's small hats were quite common, but as the decade went on they became taller, then much taller and finally wider as the 1890's began.  At the middle of the decade height was introduced through the decorations or in the style itself, brims were narrow and crowns were tall giving the head a smaller overall appearance.  Felt hats were popular throughout the dcade, more than in other periods. Fabrics used included velvet and taffeta, and trims were made from fabric, ribbon, lace, feathers and metal.  Some of the hat advertisements from this time show very extravagantly decorated hats, but photos from the period suggest that most ladies toned it down a bit.  Perhaps they were concerned about the hat outshining them?  If you'd like a style made just for your production, please contact Easel Incorporated.

Click on any photo in the gallery for a close-up view.